Petra Hermanova blends autoharp, voice, and pipe organ into haunting sophistication where rural folk traditions meet distorted drones. On her debut “In Death’s Eyes”, she explores the spiritual and earthly pastures of loss, creating performances that are both reflective and powerful. Live, Hermanova transforms any space—church, theatre, or festival—into a resonant setting, vividly painting her environments with electronic frequencies and acoustic oscillations.
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